A new, in-depth post by Mike Masnick at Techdirt correctly describes many of the challenges inherent to platform moderation of content. It was enough of a departure from his usual “anything goes” stance that he wrote a preamble acknowledging that he was likely to piss off a few readers. And it is, admittedly, a little bit fun to watch some ...
In several posts on the subject of Facebook and fake news, I have opined that if we users are going to believe and disseminate bogus information, that’s mostly an us problem, one which Facebook likely cannot solve. In that spirit, there is an extent to which I agree with Mike Masnick’s Techdirt post on May 2 calling Facebook’s plans to ...
The implication that copyright is fundamentally a tool of censorship is a favorite theme among its critics. They rarely miss an opportunity to ring this particular bell when the chance presents itself; and most recently, Cyrus Farivar, writing for Ars Technica, reported that Sirius XM filed a DMCA notice to have an archive of interviews between Howard Stern and Donald ...
Photo by jeancol1503 Well, here we go. The network of copyright critics seems to be working out their main talking points for hating on H.R. 1695, which proposes to make the Register of Copyrights a presidential appointee (with Senate approval) rather than an employee of the Librarian of Congress. Mike Masnick, founder/editor of Techdirt, has written a piece for The Verge ...
The performing rights organization (PRO) called ASCAP was formed on February 13, 1914 when a group of about 100 American composers met at the Hotel Claridge in New York City to create a mechanism for collecting “public performance” royalties. The 1909 Copyright Act had extended the performance right to this class of copyright holders, but it did not define exactly ...
