Many years ago while still in college, I was on the train to New York City—a beautiful ride along the eastern banks of the Hudson River. Several rows from me sat a family of American tourists who caught my attention when I heard the dad say, “Look kids, there’s Alcatraz.” Reasonably confident that Alcatraz sits on an island in San Francisco ...
At the same AI and copyright round-table referred to in my last post, Stephen Carlisle of Nova Southeastern University posed this question: Is the application of “transformative” analysis under the fair use doctrine threatening to extinguish the derivative works right? This grabbed my attention, partly because it jibed with comments I made in at least two posts about Brammer v. ...
T Bone Burnett has chosen to remove the video of his excellent keynote address at SXSW 2019 but has graciously made the text available to Illusion of More. Read the full speech here. ” … today there is a growing understanding that the internet has morphed into an insidious surveillance and propaganda machine.” ...
The father of modern chemistry Antoine-Laurent Lavoisier was beheaded in 1793 in what is now the Place de la Concorde. A victim of France’s post-revolutionary Reign of Terror, he was specifically marked for execution by one vengeful, lesser scientist named Jean-Paul Marat, whose incorrect theory about combustion had been publicly scorned by Lavoisier at the royal academy. It’s rare when revolutions ...
For quite some time, too long perhaps, a considerable amount of academic scholarship has trended toward focus on copyright’s negative effects, or at least doubt its positive effects, without adequate analysis of the creative process itself. When viewing the market, and especially creators, many academic views I have encountered appear to look solely at finished works, how the market interacts ...
