In 2012, a report was published in the online journal LAWS entitled A Counterfactual Impact Analysis of Fair Use Policy on Copyright Related Industries in Singapore. I know. Sounds like a real page-turner for the general reader, right? To be sure, most of us are not schooled in the arcana of statistical economic analysis, but suffice to say the report, ...
In what sounds like an homage to Tom Clancy, Sarah Jeong, a contributing editor to Motherboard, presents us with a cautionary action thriller in which the Chinese government could theoretically disappear one of the most famous and politically significant photographs ever taken. And all because of American copyright law. You know the photo. It’s the image that comes immediately to ...
It is a chronically repeated theme—and therefore a widely held misconception—that the DMCA is solely a mechanism for rights holders to unilaterally and unequivocally remove content from the Web “without due process.” In fact, this belief is so deeply ingrained that just citing the acronym by some journalists and bloggers is sufficient to denote censorship for many readers. We encounter ...
Remember when I posted A Guide to Critiquing Copyright in the Digital Age? Quite a few people read it and seemed to enjoy it, which is cool. And most recently, it seems that Joshua Lamel, executive director at Re:Create, wrote an article for the Huffington Post about prospective revision to the DMCA, in which he appears to have followed this ...
As a follow-up to my post from last week discussing the Copyright Office review of Section 512 of the DMCA, I’m going to shift from my usual format of the editorial essay to outright endorsement of grassroots efforts aimed at letting Congress know that artists and creators want to see change to obsolete aspects of US law that unfairly disadvantage ...
