In my book, published in 2020, I speculated about a biopic made with an AI-generated likeness of Carrie Fisher; and this week, Variety reports that a motion picture about Edith Piaf is now in development that will use AI-generated likenesses of the famed torch singer. So, now that the hypothetical is reality, what are the considerations beyond the obvious loss ...
While people may continue to debate whether robots dream of electric sheep, let us please stop entertaining the notion that AIs “learn from artistic works the same way human artists learn” to make art. In a recent article solidly arguing that Big Tech is going to win again for exploiting creators to develop AI, Peter Csathy concludes: For those of ...
One of the more challenging aspects of copyright advocacy is the fact that many artists and creators are conflicted about enforcing their own rights, and from observation, the disconnect is ideological. For the last 30 years, copyright skepticism has been woven into political narratives rooted in criticism of corporations and the excesses of capitalism—popular themes among the political left, which ...
In my last post, I discussed some of the allegations that “machine learning” (ML) with the use of copyrighted works constitutes mass infringement. Citing the class action lawsuits Andersen and Tremblay, I predicted that if the courts do not find that ML unavoidably violates the reproduction right (§106(1)), copyright law may not offer much relief to the creators of the ...
Many creators feel very strongly that “training” AI models with unlicensed, copyrighted works is unjust—not least because generative AIs built on their creativities will put some creators out of business while enriching more tech moguls. It is both insult and injury to see one’s work used, without consideration, to underwrite the mechanism of one’s own obsolescence. But regardless of how ...
