In his recent testimony before congress, songwriter and president of ASCAP Paul Williams remarked that it was astonishing to realize that he and fellow witness, songwriter Rosanne Cash, were subject to more government regulation than the multi-billion-dollar corporations whose interests were represented in the same hearing. What Williams was referring to with that remark is the fact that licensing fees ...
I draw your attention to this wonderfully unsentimental yet passionate defense of books by Toby Mundy. The publisher at Atlantic Books, Mundy offers his personal views on the devaluation of the medium for the thought-provoking site Medium.com. Specifically, of course, he draws our attention to Amazon and its Wal-Mart-like ability to muscle publishers (and by extension authors) into lowering prices toward ...
People like to quibble about the harm done to the motion picture industry by online piracy. They split hairs over things like whether or not each pirated view represents a lost sale or chime in with arguments that piracy is a form of promotion or a natural market reaction to outdated practices. If a lot of the arguments for piracy ...
In at least a few posts advocating for the right of the copyright holder to control the use of works for reasons other than money, I have raised hypothetical scenarios in which particularly odious entities make use of works in ways that are uniquely offensive to the soul of the original. Most recently, I employed such hypotheticals on the subject of ...
For quite some time, too long perhaps, a considerable amount of academic scholarship has trended toward focus on copyright’s negative effects, or at least doubt its positive effects, without adequate analysis of the creative process itself. When viewing the market, and especially creators, many academic views I have encountered appear to look solely at finished works, how the market interacts ...
