I have to direct readers’ attention to this blog post by composer and cellist Zoë Keating. It is the clearest articulation I have yet read about the rock-and-hard-place terms demanded of artists who are considering participation in YouTube’s paid streaming service Music Key. Keating outlines some of the non-negotiable terms she doesn’t like, for instance that her entire catalog becomes fair game ...
We all know the common criticism that a film adaptation is never “as good as the book.” There are a number of reasons, some of them very subtle, why fans of source materials are easily disappointed by films based on them. Not only is it mandatory that a feature film script leave out a considerable amount of detail from a ...
I had to share this article by New York theater critic David Cote because it really is an indictment of digital-age jitteriness screwing up culture and literacy instead of broadening same as was promised. It’s not really surprising that a contemporary theater audience doesn’t know that a play is not typically an interactive experience, and yet it is still a little surprising. Cote’s ...
I don’t know about you, but I have more channels and streaming options for filmed entertainment than I can possibly use. I don’t do a lot of browsing anymore, which is probably best since in 2013 alone, American consumers legally accessed an estimated 5.7 billion motion picture views and 56 billion TV episode views. Instead of browsing or channel surfing, ...
Taylor Swift’s new album 1989 is the first and only to go platinum this year. And the year is just about over. At the same time, Swift is making headlines because her label Big Machine (a label she and her family own) has pulled all of her albums from Spotify and other streaming services. As David Lowery’s artists rights blog ...
