Richard Prince is one of the most reviled names in the worlds of photography and copyright. This is because his career and notoriety are built largely on high-profile “appropriation” art works, which have earned him considerably more income than most artists ever see, including, of course, most of the photographers whose images he has used without permission. In September ...
An editorial appeared in The Hill written by Martin Skladany, associate professor of law at Penn State. Titled To curb dangers of media consumption, let’s reconsider copyright law, the article comprises an incoherent litany of social complaints; but to the extent one can glean any thesis from its dissociated and unsupported declaratives, I suppose it would be the following: “…excessive ...
Well, at least bipartisanship still exists when it comes to protecting America’s music creators. Late yesterday, the omnibus bill known as the Music Modernization Act passed the Senate by unanimous consent. On Monday, the chamber initiated a hotline process, which may be implemented when a bill is presumed to be uncontroversial. Once triggered, Senators have 24 hours to raise any ...
As the world mourns the passing of Aretha Franklin, we need no further discussion about the value of recording artists. The anthem of a generation, Franklin’s first hit, “Respect” was not written by her but by Otis Redding, who first recorded the song in 1965. But in 1967, Aretha made that song what it is—“owned it” as we say today—along ...
My colleague Stephen Carlisle at Nova Southeastern University already made short work of the aberration of copyright law and fair use analysis that occurred recently in the District Court for the Eastern District of Virginia. But I wanted to expand on a few elements that caught my attention. In the case Brammer v. Violent Hues Productions, LLC, the court’s deference ...
“The greatest enemy of knowledge is not ignorance, it is the illusion of knowledge.”
– Daniel J. Boorstin