I have said a few times on this blog that contemporary politics in the United States is increasingly reminiscent of the turbulent 19th century. We only have 2.4 centuries of existence as a nation, and it took half of that time just to begin to fulfill the promise of equality—principally by advancing of the rights of labor relative to the ...
When Napster appeared in 1999, it was a bit of a perfect storm situation for fans to rationalize music piracy. Granted, people would have used the file-sharing app no matter what, but the music industry had indeed become demonstrably bloated; and one chronic complaint among consumers was that we were required to buy a $15 CD just to get two ...
Photo by author. In my last post, I opined that the fair use interests of librarians and educators are not necessarily aligned with for-profit business ventures seeking to exploit creative works in ways that can harm authors. For instance, in the case of Capitol Records v ReDigi, now on appeal at the Second Circuit, Jonathan Band filed an amicus brief ...
The performing rights organization (PRO) called ASCAP was formed on February 13, 1914 when a group of about 100 American composers met at the Hotel Claridge in New York City to create a mechanism for collecting “public performance” royalties. The 1909 Copyright Act had extended the performance right to this class of copyright holders, but it did not define exactly ...
There was no way I could not share this. I recommend watching all the way through to the end. Is the message entirely on solid ground copyright-wise? Not quite. Is the sentiment in the right place? I think so. And it’s funny as hell and includes a nice shout out to one of my favorite bands, The Dropkick Murphys. Happy Monday. ...
