Because I defend the principles of copyright, I write a lot about the value of creative expression and the author’s right to choose how that expression is used. In this context, then, I think it is within the editorial nature of this blog to respond to Franklin Graham’s public complaints about last week’s Super Bowl halftime performances by Jennifer Lopez and ...
Every once in a while, a copyright litigation story makes a fine cautionary tale for users of social platforms, and this is true partly because the conflict tends to spawn misleading headlines or comments that add fuel to an outrage already borne of ignorance. In this case, I am referring to Prince’s estate easily prevailing on summary judgment in a ...
Well, at least bipartisanship still exists when it comes to protecting America’s music creators. Late yesterday, the omnibus bill known as the Music Modernization Act passed the Senate by unanimous consent. On Monday, the chamber initiated a hotline process, which may be implemented when a bill is presumed to be uncontroversial. Once triggered, Senators have 24 hours to raise any ...
As the world mourns the passing of Aretha Franklin, we need no further discussion about the value of recording artists. The anthem of a generation, Franklin’s first hit, “Respect” was not written by her but by Otis Redding, who first recorded the song in 1965. But in 1967, Aretha made that song what it is—“owned it” as we say today—along ...
Last week, Senator Ron Wyden (D-OR) suddenly—and I do mean suddenly—introduced a bill in the Senate that many of the usual copyright-haters are applauding as an “alternative” to the CLASSICS Act. It’s hard to decide whether Wyden and whatever narrow constituency he’s serving are using this bill as a political stunt aimed at killing CLASSICS, or if they’re really arrogant ...
