I saw this link the other day from one of my indie filmmaker friends about Black Magic’s new 2.5k cinema camera. I recommend reading the article for anyone interested from a professional standpoint, but the reason I cite it here, as I continue to focus on digital cinema, is the headline: 7 Reasons Why Black Magic Rules — and DSLR ...
Last week, MPAA CEO Christopher Dodd spoke in San Francisco about fostering better collaboration between the entertainment and Internet industries. Not surprisingly, two voices from the tech industry, TechDirt and the Electronic Frontier Foundation rang out with rebuttal. Mike Masnick, editor of TechDirt, called Dodd a “predictable dissembler” and proceeded to attack him personally for “lacking the vision” for his role. ...
I have many friends in the filmed entertainment industry working at all levels of production and in just about every department. Some of them follow my blogs with interest, others just to be nice, and others I suspect wonder why I bother at all. There are many reasons why I choose to focus on matters related to the digital age, ...
Okay, this video is three years old, but it’s still relevant because it represents a persistent, underlying faith in an “economic model” that enables even well-meaning people to think they’re doing the world a favor by pimping for the Web industry. What Mike Masnick, editor of TechDirt, says in this video is that if your business makes a product that ...
While it’s true that affordable digital cameras and editing software have put impressive means of production into the hands any boot-strapping filmmaker with a dream, digital filmmaking at the highest end of TV and motion pictures is actually more complex and more expensive than the days of celluloid-only production. As part of my focus on digital cinema, I interviewed cinematographer ...
