Careless People by Sarah Wynn-Williams could almost be one of Christopher Buckley’s Beltway satires. Like Thank You for Smoking or The White House Mess, the first-person protagonist takes the reader on a journey from dream job to absurd nightmare—each chapter an ironic critique of the powerful characters depicted. Except Wynn-Williams is real, and so are the truly awful people and ...
I have not added a copyright post here since March 19, when the DC Circuit Court of Appeals affirmed in Thaler v. Perlmutter that works produced autonomously by generative AI (GAI) are not protected under U.S. copyright law. Although it is good to see the human authorship doctrine in copyright left undisturbed, it is a fleeting moment of sanity within ...
In the current political climate, it is important to clarify that no sensible Section 230 reformer proposes abolishing the statute or endorses threats to revoke the law on the basis of inapt and inaccurate allegations of “content bias.” Section 230 is not a content neutrality law, and statements to the contrary are political theater. Whether online platforms are too big ...
In almost every discussion I’ve had with creators about generative AI (GAI), I have said that we should not overlook Big Tech’s capacity for exaggeration and total flops. Because it is possible that AI products may be the next Google Glass due to cultural and/or economic forces that reject their business models. For instance, last week, Digital Music News (DMN) ...
One of many challenges with adoption of generative AI (GAI) tools is whether creators are willing to demonstrate a degree of solidarity on the matter—i.e., apply the principle we generally call fair trade. If Creator A uses a GAI that might be harmful to Creator B in a different field, and so on, will most creators take this broader perspective ...
