New Study Indicates Piracy is Not Promotion

Last month, I shared some thoughts on the subject of piracy as a tool for promotion, and I won’t repeat all that here.  Suffice to say, I’ve never understood why this particular argument has ever be taken seriously—other than the obvious reason that it offers a plausible sounding rationalization. But, even without thinking too deeply about the matter, just the anecdotal evidence hardly seems to support the premise at all.  Major works like blockbuster movies, which remain the most pirated content, don’t need piracy for promotion; if piracy only promotes to other “consumers” who also don’t pay, it’s a weak argument to make in the first place; and of course, there remains the inescapable logic that if the producers’ of the work didn’t ask pirates to promote for them, it’s not really a service, is it?

Still, the preposterousness rages on in the blogosphere, with any number of writers presuming to school creative producers in the orthodoxy of the future, including vague suggestions to “harness the power of piracy” rather than seek to eradicate it.  It’s a silly and often circular argument because, of course, nobody has ever really studied the comparison between direct loss vs. promotion attributable to piracy.  Until now.

Researchers at Carnegie Mellon University have, for the first time, compared the effect of cannibalization (i.e. box office losses) with the effect of promotion due to to piracy.  Conducted by Liye Ma, Alan L. Montgomery, and Michael D. Smith, their findings reveal that although piracy does have a promotional effect on actual sales, this positive is substantially outweighed by the negative effects of cannibalization.  Comparing both effects to the counterfactual of a market without any piracy at all, the study indicates that, without piracy, producers would have seen a 15% ($1.3bn) increase in box-office sales for the period from 2006-2008 and a 14% increase from 2011-2013.  Meanwhile, their findings indicate that piracy-related promotion contributes to 1.5% of current box-office sales.  So, piracy puts a little bit back, but nothing compared to what it takes away.

As with my post about the Singapore Study, I cannot comment with any authority on the methodologies use in this report.  My last math class was in the 11th grade, and I don’t know what this means:  X = ⎡⎣U C S+ S− I R ⎤⎦ʹ But the study’s conclusions do jibe with the common-sense assumption that black markets probably harm legitimate markets.

The Online Advertising Market with Andrew Orlowski (Podcast)

I haven’t done a podcast in a while but decided to reach out to technology writer Andrew Orlowski after reading his article Alphabetti Spaghetti:  What Wall Street isn’t telling you about Google.  Andrew is the executive editor of the IT news and opinion publication The Register, a critic of techno-utopianism, and coiner of the term “Googlewashing” to describe either purposeful or inadvertent censorship through search result rankings.

Andrew and I talk about trouble in the online advertising market, broader economic issues, and the politics behind the technologies we use.  I spoke to him at his home in the UK via Skype.

EFF Launches New TPP Infographic

So, this week, the Electronic Frontier Foundation launched its new infographic (stress on graphic) still pitching the idea that it is the IP provisions in the Trans Pacific Partnership agreement that are of the gravest concern.  The EFF states on their site that the infographics are covered by a Creative Commons license* and that anyone is free to use or remix the assets with attribution.  So, with all due credit to the EFF for the original works, I have taken the liberty of remixing as suggested.  And in the spirit of sharing, feel free to use these on social media with or without attribution.

EFFishTPP01a.001EFFishTPP02EFFishtTPP03


*CC-BY 3.0 https://creativecommons.org/licenses/by/3.0/us/