DMCA Review Should Be About Copyright, No?

On September 30, the House Judiciary Committee held a hearing to discuss the Copyright Office report, published in May, commenting on the efficacy of Section 512 of the Digital Millennium Copyright Act (DMCA). Section 512 provides conditional immunity to online service providers for copyright infringements conducted by users of their services. (For a basic summary of conditions, see page here.)

Reiterating the position that the USCO report fails to consider the interests of the general public in its analysis, Meredith Filak Rose, senior policy counsel at Public Knowledge, urged the committee to proceed with cautious awareness that in the years since 1998, the public has become profoundly dependent upon the internet for a broad range of ordinary and essential needs.

With due respect to Rose personally, and with deference to the many devil’s details implicated by her testimony, I shall, once again, take issue with the over broad context in which digital rights groups like Public Knowledge try to frame discussion about the DMCA. For instance, at the start of her testimony Rose states that, “229 million Americans use the internet each day. That’s 229 million American adults using the internet to work, worship, connect with family and friends, receive healthcare, consume and discuss the news, and organize political action each and every day.”

Aside from the fact that the mosaic of internet uses needs to be more diverse in order to present a clear picture (let’s not forget the mindless scrolling, the clickbait, the misinformation, or the porn), the salient point is that most ordinary internet use does not require the appropriation of copyrighted works. So, framing a conversation about a section of the copyright law by alluding to the scope of everyday internet traffic is both distracting and entirely beside the point. If Congress were discussing CAFE standards, and an oil industry representative testified that 229 million American adults drive to work, church, and the grocery store every day, this would be a meaningless prelude to an argument against mandates for more fuel-efficient cars.

The Fight Over Account Termination

So, let’s stipulate the obvious:  We all use the internet for myriad practical purposes all day long. And if anyone can show me the intersection between copyright infringement and a telemedicine appointment, I’ll take a look. But what Rose is really teeing up is advocacy for the status quo of DMCA §512(i) and the barely implemented requirement that ISPs eventually cancel the accounts of repeat copyright infringers. We cannot reconcile, Public Knowledge argues, a family’s fundamental need for broadband with the possibility that a teenager in the house might repeatedly infringe copyright, and the service provider will be required to terminate access for the entire household.

But the reality is not quite so binary or draconian, even if the statute has proven unclear to the point of futility. Congress’s decision in 1998 not to define “repeat infringer,” or to codify universally applicable guidance for termination policies, left the ISPs (access providers) and the edge providers (web platforms) free to maintain the practice of termination avoidance for repeat infringement by users. The concern of digital rights groups, therefore, is that somehow the service providers will have to comply with a 22-year-old condition they’ve largely evaded.

In the costly litigation COX v. BMG and that provider’s risible 14-strike policy, COX’s users received multiple warnings before not actually losing their accounts. And although copyright owners would certainly like to see more meaningful implementations of 512(i), they neither propose nor endorse a scenario in which a family wakes to find its broadband inexplicably terminated for repeat infringements of which the account holder was somehow unaware. This is not the way account termination happens now or has ever been envisioned to happen.

At the same time, although this is not the post for offering specific legislative recommendations, one policy that would alleviate some of the tension in 512(i) is site blocking, which has proven effective in foreign jurisdictions. If groups like Public Knowledge, EFF, et al were not so adamantly opposed to blocking enterprise-scale, foreign-based piracy sites, a compromise might be more easily found that would mitigate many of the concerns these groups identify with regard to account termination scenarios.

“Red Flag” Knowledge at the Heart of the Matter

This focus on the internet writ large reinforces the major internet companies’ efforts to conflate their commercial interest with the public interest. What many call the “free flow of information,” allegedly for our benefit, often has nothing to do with information. What this erudite sounding expression really means is that because the social sites are engineered to exploit vulnerabilities in human psychology in order to keep users addicted and active, the platform owners like to avoid legal obstacles like copyright, privacy, or anti-trust matters that may create friction between user and interface.

Consequently, today’s major platforms—all founded years after the DMCA was first hammered out between big telco and big media—read certain ambiguities in the statutes to mean that they are free to profit from chronic infringement by users, while doing the bare minimum to comply with the notice-and-takedown provision. Specifically, as discussed in my post about the first Senate-led review of DMCA, rightsholders hope that Congress will more clearly define §512(c), which states that providers will not be liable for infringement if …

(1) its operators do not have actual knowledge of infringement; (2) its operators are not aware of facts or circumstances from which infringing activity is apparent; and (3) upon obtaining knowledge of infringement, expeditiously removes the relevant material.  

Commonly referred to as the “red flag” knowledge section of the statute, a major point of contention for rightsholders, both in and out of court, is the extent to which service providers allege that they lack any knowledge of infringement sufficient to meet the liability standard. Even in a relatively recent case where plaintiffs presented emails that revealed site operators made affirmative decisions to leave material online they believed to be infringing, courts have misread §512(c) to mean that these operators would need legal and industry expertise to meet the “red flag” bar. This is inconsistent with the reasonable, ordinary person context in which this part of the statute was written, hence the hope by rightsholders that Congress will consider clarifying the language.

Because §512(c) is at the heart of the good-faith/shared responsibility intent of the DMCA, I have to say that I did a little spit-take when Rep. Lofgren raised the “red flag” subject and asked her first question of Meredith Rose, who replied that she is “not terribly familiar” with that part of the statute. This is not intended as a personal gotcha, but it is a rather serious matter when an organization purporting to represent the interests of “everyone who uses the internet” is unprepared to discuss one of the most problematic sections of the DMCA. In fact, the much broader question of what platform operators can know about the material on their servers, and what they should do about some of it, is the vexing challenge of the moment with regard to the effect social media are having on society. The knowledge question goes way beyond copyright.

The Dogeared Speech Argument

Historically, the internet industry’s shell game on the subject of what can and cannot be known is consistent with the kind of site management that has now proven to be the major catalyst in the dissolution of democracies worldwide. The same companies whose algorithms are allegedly so sophisticated that they can predict our choices before we make them, paradoxically claim an inability to parse data that ordinary, non-prescient humans can interpret. The manner in which the industry has exploited vagueness in the knowledge standard in the DMCA runs parallel to its history of shrugging “neutrality” when it comes to the moderation of harmful material like organized hate speech, conspiracy groups, and dangerous misinformation—a “neautrality” no longer acceptable to much of the public.

I cannot fathom how any reasonable person looks across the landscape at the ragged state of American democracy and, with a straight face, continues to exalt Web 2.0’s grand experiment in free speech as though it were not an appalling failure. The evidence is now clear, including testimony from a steady stream of defectors from the social media companies, that Facebook, Google, Twitter, Reddit, et al purposely designed their platforms to be digital crack. And it is no surprise that divisive politics and conspiracy garbage are potent ingredients in the drug cocktail that captures and retains the attention of millions.

Referring back to the 229 million users, it isn’t connecting to family or online banking or worshipping that is systematically destroying the American Republic; it’s the speech-a-palooza that organizations like Public Knowledge earnestly champion that has sown a motley patchwork of customized realities to the extent that we are now clinging to what remains of political common ground with our fingernails. Social media is a toxin coursing through the veins of the body politic with such deleterious effect that the most sober historians and political operatives are sincerely wondering if the Republic can survive another decade. It ain’t copyright enforcement that sends QAnon wackos to Congress.

Yet, to the tech-utopian, any effort to allow copyright owners to better protect their works online will unavoidably, and unacceptably, silence someone’s speech somewhere. In fairness, this is true. It is inevitable at times and must be remedied on a case-by-cases basis. Further, I see no reason why intentional abuse of DMCA to silence speech (e.g. criticism) cannot be more strongly proscribed through statutory reform if need be.

But citing “speech” as a generalized framework for debate is too broad and has little to show for itself as a social benefit to date. Aside from the fact that speech is silenced every minute online through many modes (e.g. bullying or platform moderation), there is no way that anyone can measure how much speech is currently silenced, or how much more or less would be silenced by improving the DMCA for rights holders. It’s counting grains of sand in the desert.

Ironically enough, Twitter announced over the weekend that it would delete tweets by anyone hoping the president dies from COVID-19. And while there are several reasons why this is sound policy for Twitter, it happens to be one of the few occasions when a platform would censor a prime example of protected speech. And, as one commenter rightly pointed out, Twitter has left intact volumes of missives hoping for the sexual assaults and deaths of women who speak out on various issues, including actual threats that transgress any claim to the speech right. So, we should dial down the speech rhetoric until it describes what the world actually looks like, not that Barlowian “home of mind” that never existed.

Into this long and repetitive debate, I think a fair market summary of the DMCA’s status quo is as follows: The major copyright owners enforce their rights through the use of some technological measures and the notice-and-takedown system, albeit with a ceaseless, dynamic, and expensive process that has little effect addressing the volume and rate of infringement. The small rightsholders barely enforce their rights at all through notice-and-takedown and generally give up trying. The user-generated platforms continue to profit substantially from third-party infringements against both small and large creators. And the 229-million of us Americans using the web comprise billions of transactions every day that have nothing to do with copyright.  

Public Knowledge wants to solve the misinformation problem? That’s adorable.

On Tuesday, Meredith Filak Rose of Public Knowledge posted a blog suggesting that a solution to rampant misinformation is to “bring libraries online.” Not surprisingly, she identifies copyright law as the barrier currently preventing access to quality information that could otherwise help solve the problem …

“High-quality, vetted, peer-reviewed secondary sources are, unfortunately, increasingly hard to come by, online or off. Scientific and medical research is frequently locked behind paywalls and in expensive journals; legal documents are stuck in the pay-per-page hell that is the PACER filing system; and digital-only information can be erased, placing it out of public reach for good (absent some industrious archivists).”

Really?  We’re just a few peer-reviewed papers away from addressing the social cancer of misinformation?  Back to that in a minute.  Because first, there’s a spit-take that needs cleaning up after reading that Public Knowledge??? Is weighing in on misinformation???  This is an organization that has recklessly spread nonsense of Augean proportions about copyright law.  See posts here, here, here, here, here, here, and here; or just read my last post citing PK’s Shiva Stella just plain making stuff up about the CASE Act.

The funny thing is that Rose does a pretty decent job of summing up how misinformation can be effectively deployed online, but her description could easily be the Public Knowledge Primer for Writing About Copyright Law:

Misinformation exploits this basic fact of human nature — that no one can be an expert in everything — by meeting people where they naturally are, and filling in the gaps in their knowledge with assertions that seem “plausible enough.” Sometimes, these assertions are misleading, false, or flatly self-serving.  In aggregate, these gap-fillers add up to construct a totally alternate reality whose politics, science, law, and history bear only a passing resemblance to our own.

Right. Kinda like when Stella alluded to the “secret entertainment industry” behind the development of the CASE legislation? Or when the organization claimed in August of 2018 that the “entertainment industry” was trying to sneak a copyright term extension into the NAFTA renegotiations? Those are indeed plausible tweets for anyone who is not expert in copyright law to believe—especially because it feeds what Alice Marwick calls as a “deep story” that behind every copyright policy initiative is a Hollywood bagman.  

Having said all that, Meredith Rose’s article does not say anything categorically false. It is a sincere editorial whose main flaw is that it is sincerely naïve.  “…in the absence of accessible, high-quality, primary source information, it’s next to impossible to convince people that what they’ve been told isn’t true,” she writes.  

Yeah. That psychological human frailty is not going to be cured by putting even more information online, regardless of how “good” it may be, or how copyright figures in the equation.  On the contrary, more information is exactly why we’re wandering in a landscape of free-range ignorance in the first place.  It’s why anti-vaxxers have grown in numbers and brought back the measles; it’s why climate-change deniers get to hold public office and reject scientific data; it’s why even the President of the United States can make public statements that are demonstrably false and tens of millions of citizens don’t give a damn.  There is more than sufficient freely-available, factual information online right now, all produced by professionals and experts on every subject under the sun, and yet this bounty has not mitigated the steady encroachment of flat-earth lunacy into the mainstream conversation.

Speaking as someone schooled in what we might call traditional liberal academia, I believe Rose reiterates a classically liberal, academic fallacy, which assumes that if just enough horses are led to just enough water, then reason based on empirical evidence will prevail over ignorance.  That’s not even true among the smartest horses who choose to drink. Humans tend to make decisions based on emotion more than information, and it is axiomatic that truthis in the eye of the beholder.

But if galloping bullshit is the disease, the catalyst causing it to spread is not copyright law keeping content off the internet, but the nature of the internet platforms themselves.  By democratizing information with a billion soapboxes it was inevitable that this would foster bespoke realities occupied by warrens of subcultures that inoculate themselves against counter-narratives (i.e. facts) with an assortment of talismanic phrases used to dismiss the peer-reviewed scientist, journalist, doctor, et al, as part of a conspiracy who “don’t want us to know the truth.” 

And let us not forget the extent to which the promotion of bullshit is big business.  Sure Cambridge Analytica made headlines.  But what about the friendly-looking spin-off from Open Media called New/Mode with its happy icons and upbeat mission statements about community and transparency? The cognitive dissonance needed to square those values with the deployment of “one-click calling” and “tweetstorms” is at the heart of the problem Rose and her friends at Public Knowledge are not just overlooking, but helping to foster.  

Social-media activism is designed to trigger the most Pavlovian of emotional responses and overwhelm reasoned debate with numbers.  Messages are simple and truth is rare, regardless of source or agenda. Reason cannot defeat such tactics.  We could upload all the well-founded science ever written, and it would barely be noticed in sea of hashtag nonsense many people would prefer to believe.  Public Knowledge knows this quite well, having availed itself of these tools and/or celebrated the efficacy of spreading misinformation—at least about copyright law. 

If Meredith Rose and her colleagues believe there are unreasonable copyright barriers to certain material, they should make that case on those merits alone and let others respond accordingly. Framing the topic as a broad solution to the effects of toxic and misleading content is too ambitious an overstatement for anybody to make, and far beyond the credibility of Public Knowledge to assert any authority.


Photo by cynoclub

Mousetrap: The Copyright Deep Story Behind Today’s Lies

It seems that after Public Knowledge came out, guns blazing, and just plain making things up about copyright extensions in the new round of NAFTA negotiations, they and their supporters tried to tiptoe these statements back on Twitter by blaming the USTR for its lack of clarity. While I have little doubt that such vagueness is present—certainly if the USTR’s own press release is any indication—this does not excuse manufacturing a story and blasting it all over the internet, not least because a moment’s thought was all PK needed to conclude that what they were about to say probably wasn’t true. But once these things are on the internet and spread, well…what was never true in the morning will be true in many minds by five o’clock.

There are only two explanations for someone perpetrating an outright lie: ignorance or corruption. Either one is innocently misinformed and, therefore, unqualified to speak on the given subject; or one is purposely spreading falsehoods and, therefore, undeserving of anyone’s trust. And I suppose we have to acknowledge a hybrid of the two whereby one becomes so entrenched in an ideology (e.g. an anti-copyright agenda) that one remains willfully ignorant in order to feel less corrupt while spreading lies.

And that little sermon brings us to the tweet posted by Public Knowledge’s Senior Vice President Harold Feld, originally written to draw reader attention to the organization’s memo about the invented copyright extension in new NAFTA …

 

This is a fine example of a “deep story” as described by Alice Marwick in her paper about why we share fake news. For some Americans, their deep story is that immigrants are destroying the nation; for others, it’s a vast Jewish conspiracy; for many, it’s that vaccines cause autism; and for the anti-copyright zealot, it’s that Mickey Mouse has long been the primary (if not the sole) reason for term extensions in American copyright law. And because this is a deep story with roots in millions of minds, I’m not calling out Feld personally so much as by example; only he knows whether his tweet is more a manifestation of ignorance or corruption.

So, once again, I feel compelled to clarify a salient point about copyright history; and I apologize if this gets a little technical and arcane, but here it goes: Mickey Mouse had sweet fuck all to do with the current U.S. copyright term.

That’s not an opinion or a counter-narrative or an alternative fact. The Mouse story, while plausible and attractive to many, just ain’t so; and no self-respecting copyright scholar would allow it to be repeated as “history” because they know that the development of copyright term length dates back at least 160 years before Mickey first appeared on screen. Here’s a synopsis …

In Millar v. Taylor (1769), the English court held that a perpetual copyright existed at common law until statutory copyright—the Statute of Anne ratified in 1710—placed a limit (albeit a necessary one) on the duration of the term. By the late 1830s, France already had a posthumous term based on life of the author plus ten years; and England began debating a similar regime predicated on a bill that would have extended the term to life of the author plus 60 years. A version of that bill passed in 1842 with a term of life of the author plus seven years, or 42 years, whichever was the longer.

With the Berne Convention treaty of 1886, England, France, and other signatory nations much smaller than the U.S. continued to extend terms, eventually mandating life of the author plus 50 in 1948. Meanwhile, throughout the 19th century, the United States dragged its feet for about sixty years in ratifying any kind of international copyright law (doing so in 1891) and only codified a life-of-the-author-plus-50 regime in the 1976 Copyright Act—nearly 70 years after those terms were first adopted on a voluntary basis in Berne.

When the U.S. finally joined Berne in 1989 (103 years after its origination), this was just in time to play catch-up once again as Europe was about to coalesce into the EU in 1992. The European Parliament settled on a term of life of the author plus 70 years, thus providing grounds for the Copyright Term Extension Act of 1998, which amended the 1976 law to conform to the terms adopted by the EU and other key trading nations.

That’s a digest version of term length and how it got that way, but suffice to say that Mickey Mouse’s debut performance in Steamboat Willie in 1928 is not even a footnote in the evolution of widely-adopted, international copyright terms to which the U.S. eventually had to adhere if it wanted to join various trade agreements with some of its most important partners.

People are entitled to argue that copyright terms are too long, which is a perfectly valid topic for discussion and debate. But they are not entitled—least of all under the banner of a public-serving organization—to perpetuate conspiratorial nonsense in order to score symbolic social-media “wins” rather than provide substantive contributions. We have enough of the former in our current politics, and if that’s all the folks at Public Knowledge can bring to the table, then they don’t deserve a seat—either because they are unqualified or because they are dishonest.


Also see Brief History of US Copyright Terms at Copyhype.