On May 18, the Supreme Court delivered opinions in Gonzalez v. Google and Twitter v. Taamneh, a pair of interrelated cases in which both plaintiffs sought to hold online platforms liable for hosting material meant to inspire acts of terrorism. Because the Court unanimously found in Taamneh that there was no basis in anti-terrorism law for liability (and therefore no ...
Just as it is folly to anthropomorphize computers and robots, it is also unhelpful to discuss the implications of generative AI in copyright law by analogizing machines to authors.[1] In 2019, I explored the idea that “machine learning” could be analogous to human reading if the human happens to have an eidetic memory. But this was a thought exercise, and ...
This year’s World IP Day theme celebrates Women and IP: Accelerating Innovation and Creativity, and for that reason as well as the fact that artificial intelligence dominates all topics these days, my guest for this episode is the highly innovative Carla Diana, whom I first interviewed in 2014. Carla is a tech designer, author, and educator. She runs the 4D design ...
Last February, the U.S. Copyright Office rejected the registration application filed by Stephen Thaler for a visual work entitled “A Recent Entrance to Paradise.” Thaler averred that the image was generated by an AI he designed called “Creativity Machine,” and on that basis, the Office affirmed the longstanding doctrine that copyright rights only attach to works of human authorship. In ...
As most copyright watchers already know, two lawsuits were filed at the start of the new year against AI visual works companies. In the U.S., a class-action was filed by visual artists against DeviantArt, Midjourney, and Stability AI; and in the UK, Getty Images is suing Stability AI. Both cases allege infringing use of large volumes of protected works fed ...
