Probable Causes

iStock_000008641273XSmallIn his book At Home, Bill Bryson describes how the English clergy system, through the 18th and 19th centuries produced a local renaissance in the sciences and arts.  By that time period, the English were not an especially pious bunch, and as such the clergy system fostered a generation of well-educated and financially comfortable young men who ended up with a great deal of time on their hands. According to Bryson, most of these sons of the gentry studied classics rather than divinity and many of them were not expected to do much more for their rural parishioners other than recite an unoriginal sermon on Sunday mornings.  As a result, many of these otherwise idle hands produced a flowering of discovery, ideas, inventions, and creative works.  Or as Bryson describes, “Never in history have a group of people engaged in a broader range of creditable activities for which they were not in any sense actually employed.”  This period yielded, among other things, The Life and Opinions of Tristram Shandy; the power loom; the Jack Russell terrier; numerous first works on botany, paleontology, and other natural sciences; the economic principles of Thomas Malthus; the first aerial photography; the invention of the submarine; and the theorem of Mr. Thomas Bayes.  All the result of time, financial security, and curious minds.

There is a lot of discussion lately, including comments on this blog, about open access, which was of course central to the activism of Aaron Swartz; and the subject got me thinking about this particular revelation in Bryson’s book.  In a sense, we could think of the English clergy system as an incubator much in the same way we’re meant to think of digital technology today as a catalyst for innovation.  There is even a parallel in the democratic aura in which these rectors and vicars became the amateur, DIY scientists, authors, and inventors of their time.  In simple, idealistic terms, recreating this phenomenon on a global scale appears to be a foundation upon which the principle of open access is based — that the next life-altering idea might come from anywhere and, therefore, keeping a running spigot of data is of paramount importance.  To quote the start of Swartz’s manifesto, Information is power…

But is it?

What, for example, would the aforementioned Bayes’ Theorem tell us about the probability of achieving some of the more utopian aims of open access?  (Let’s be clear, I’m personally on the side of allowing especially publicly funded data to flow to the public; but this is a different question.)  Bayes provides a means to predict probabilities based on limited data, and as Bryson points out, the theorem was intriguingly of little use at its conception given that there were no computers to perform the calculations.  Today, Bayes is applied to work like climate change models and financial markets, but could it predict the probability that is the underlying question of this entire blog — i.e. will more access to more data produce more social benefit?

Naturally, we’d have to agree on what social benefit looks like, but assuming we’re using western notions of freedom, social justice, well-being, and enlightenment, does it stand to reason that adding more content into the pipeline must inevitably serve as a catalyst to improve or increase these humanistic goals?  It seems clear that there are far too many variables to accurately make such a prediction.  Even in a broad sense, consider how polarized the U.S. is, then spend about five minutes on the Web searching any number of topics. It becomes self-evident that data aren’t even data — that one man’s fact is another’s government conspiracy and vice-versa.  Or as Big Think posts here, even one man’s exercise can be another’s road to perdition.

Aside from the fact that data interpretation on a macro scale is a total crap shoot — we still have school boards fighting evolution for crying out loud — we might keep in mind the three conditions that were necessary to produce the innovations described by Bill Bryson:  they were education, financial stability, and time to indulge. There are ways in which digital-age tools provide more time, as in the Kurzweilian sense of adding additional brain power; but I’m sure I’m not the only one to feel that sometimes the constant flow of disparate information and social media ephemera can also become an obstacle to focused contemplation.  Additionally, there are aspects of the open access idea that are disruptive to existing economic models, particularly affecting the financial well being of some of the leading producers of quality information and cultural content.

I think the principles of open access are fundamentally good, and often principle alone is reason enough to demand support for a social agenda.  But the principle should not necessarily be confused with the reality that application in this case does not guarantee a renaissance. (The new era could look like 4Chan, too, which is the Web equivalent of the Dark Ages.) History is full of unintended consequences; and while the next big idea can indeed come from anywhere, this includes the possibility that it will originate in the mind of an individual as removed from our digital wellspring as an 18th century English clergyman.

Odds & Ends (It’s that kind of week)

What Color is the Sky in Rick Falkvinge’s World?

Someone please tell me that Rick Falkvinge is the Ron Paul of European politics.  I’m sure every country has its slightly kooky politicians; after all, we have guys who talk about mothballing the Navy or the magical powers of women’s reproductive systems, and I guess Europe has Rick Falkvinge.  I don’t go looking for Rick’s writing because shooting a duck in a barrel (and a lame duck at that) isn’t sporting, but I stumbled upon this piece this morning and had to share.  Falkvinge asserts that the act of copying an existing work (e.g using software to rip a DVD into a file for upload) is real labor that has value, and that “copyright monopolists” are offensive in their desire to profit from this “labor.”  Yes, at this moment, your head should be cocked sideways like a confused spaniel.

I’ve done a lot of digital compression and conversion in my life, and it’s true about the labor I guess. I mean, you’ve got the sliding a disk into a drive, and then probably half a dozen mouse clicks, followed by up to twenty keystrokes to name the file; then there’s the opening of the beer and pretzels while you watch the gas bar crawl across the screen. So, by all means, it’s obnoxious for those who represent millions of dollars in investment and tens of thousands of highly-skilled man-hours to produce the thing your chubby little fingers are laboring away to copy to think that it’s somehow their property. I guess if somebody robs my house, I ought to pause before calling the police and consider how hard the burglar is working.

Maintaining Perspective

If you haven’t seen it,  I encourage you to read Chris Ruen’s piece about Aaron Swartz for Seattle Weekly. The article endeavors to take some of the emotion out of the discussion regarding Swartz’s hacktivism. I have purposely not talked about Swartz thus far because the first truth is that his story is just plain sad. But Ruen is right that Swartz was wrong about SOPA, and that does matter even through the fog of emotion. I don’t presume to know why Mr. Swartz committed suicide, but it is a tragedy that strikes regardless of age, sex, economic, social, or political conditions; and it is worth noting that the very tools Swartz proclaimed to champion have been used to bully others, whose names we hardly know, to the same fate. Moreover, while freedom of information is a cornerstone of a democratic society, not everything that can be hacked is “information” just because it’s digital — and hacking itself is not a game. Just this week, we have reports on the specific origin of cyber attacks on US properties from within one Chinese military headquarters.  The prospect of an attack that could cost the lives of thousands is not an exaggeration.  Naturally, Swartz’s hacking didn’t amount to anything like this kind of threat, but we cannot have a national policy debate on the issue of cyber security that is bent out of proportion because of the suicide of one man.

The Inevitable?

I have predicted for several years that convergence between TV and the Web will make for new partnerships between the two industries.  The more the media creators and the Internet giants have common ground, the more likely we are to see much of the extreme copyright views be relegated to the fringe where they belong.  This article in Variety features a story about a deal between Fox and a couple of very successful YouTube channels, and I’m sure we will see more of these deals as the distinction between distribution via Pipe A or Pipe B fades into irrelevance.

I have little doubt that the end-game is a paradigm in which screens of all sizes become global jukeboxes offering on-demand access to vast libraries of finished works.  Clearly, those who use torrent sites have chosen to hasten this reality without regard for the creators, but deals like this one and projects like House of Cards demonstrate that media producers are in no way out of touch with new distribution methods or new approaches to scheduling or geography; and they haven’t been for quite some time. When Google and Fox shake hands, it means their profit motives are aligned, and this could be beneficial to independent artists, who are the first to be hurt by online piracy. The more the Internet industry has skin in the content game, the less likely it is to fund the kind of hysterically blurred messages confusing free speech with free media.  That said, we have miles to go…

TPB-AFK (The Pirate Bay Documentary)

Yeah, I watched the documentary about the founder/operators of The Pirate Bay, and I admit to being pleasantly surprised that it is not the overbearing propaganda-fest I’d expected. In fact, to director Simon Klose’s credit, I found the film’s relatively detached lens on its subjects made it eminently watchable and only considered a few choices overly contrived — particularly the eerie music played over moody tracking shots of blinking servers.  There’s no question the film is supportive of its subjects, but assuming we can take its content at face value, we are provided with what appears to be an honest glimpse into the personalities and character flaws of TPB’s three co-founders.

Most of the film focuses on the trial in Swedish court, and I thought one of the most telling moments was a comment by Gottfrid Svartholm describing their business as “disorganized crime.” The comment was meant to be mocking the authorities’ perception of the The Pirate Bay, but his words are actually consistent with the childlike posturing of all three men throughout the documentary. Svartholm, Sunde, and Neij all vacillate between naive innocence and banner-waving freedom-fighting — literally trying to have it both ways.  It is as if they are saying, “We didn’t do anything, but what we did is certainly the right thing to do.” The film is engaging and informative, although it is dismaying to discover that these presumptive heroes of the digital age really are the proverbial rebels without either a cause or a clue.

Conversation with Chris Ruen (Podcast)

Chris Ruen Part I
Chris Ruen Part II
From OR Books.

Freeloading: How Our Insatiable Appetite for Free Content Starves Creativity

In his new book, author Chris Ruen provides a glimpse into his personal transition from consumer of free media to advocate for artists’ rights and a more rational conversation about copyright in the digital age.  Ruen shares his own thoughts about common justifications for online piracy, about the mechanics behind the anti-SOPA protest, and about his own proposals for a renewed dialogue about copyright reform and enforcement.  While certain professionals on either side of the debate may take issue with Ruen’s specific, legal proposals, I believe the general reader with even a passing interest in the cultural aspects of what Ruen calls “freeloading,” can learn a great deal from this book.  In particular, the middle third of the work is comprised of interviews with musicians and producers from the independent punk scene — guys who are about as anti-establishment as it gets — and their no-nonsense views on the rationales supporting online piracy are well worth the attention of anyone who thinks he’s stickin’ to The Man by downloading torrents.

I spoke to Chris last week via Skype and found our conversation very engaging. In fact, I’m providing the discussion almost unedited, without introduction, and in two parts.  I hope you find these podcasts interesting and that you’ll let me know what you think.

For more information about Chris or to buy a copy of Freelaoding:  How Our Insatiable Appetite for Free Content Starves Creativity, visit www.chrisruen.com