TVEyes Warping Fair Use Principle

Once again the Electronic Frontier Foundation has taken up the cause of industry in the guise of public interest, principally with the ultimate goal of distorting fair use doctrine beyond its intended purpose.  I am speaking about the case of FoxNews v TVEyes, which as Terry Hart points out in this post on Copyhype, re-treads some familiar ground regarding the copyright interests of news producing entities and the fair use claims of news monitoring services.  I recommend Hart’s blog for more in-depth historical context; but suffice to say that in the early 1990s, bills proposed by Senator Orin Hatch that would have amended copyright law to add news monitoring to the list of fair use purposes never made much progress. But, as Hart writes, “…the lack of legislation did not jeopardize the broadcast news monitoring industry. Nevertheless, little has changed in the discussion of fair use and news monitoring from the early 90s to the current litigation involving Fox News and TVEyes.”

Last fall, a federal judged ruled in this case that copying “broadcast content for indexing and clipping services to its subscribers constitutes fair use.”  And this July, oral arguments will be heard as to whether or not other services (like subscribers downloading, storing, and emailing clips) might also be judged fair.  The EFF, along with the Technology Law & Policy Clinic at NYU School of Law, has filed an amicus brief on behalf of TVEyes, while several leading news organizations have filed a brief on behalf of Fox.

To be clear, plenty has changed technologically in the news monitoring world, but Terry Hart’s point above is that the fair use argument being made today in favor of TVEyes is fundamentally the same as the arguments that failed in Congress twenty years ago — namely that there is a public and First Amendment-serving purpose to news monitoring that should qualify the enterprise as a fair use of copyrighted material.  And be it far from me to second guess a federal judge, but it seems that technological changes have only weakened this argument, not strengthened it, particularly when we look at the specific business model of TVEyes itself.

News monitoring services have been around since before television, first in the form of clipping services for print, and later as video systems monitoring broadcasts of “hard news” that was captured and stored on tape. This enabled customers to order a specific broadcast clip for educational, documentary, reporting, and other communications and investigative purposes.  We used these services in the 1990s during my corporate communications days. You paid a service a small fee to do a search and then received a VHS tape with the clip(s) you needed.  Today looks very different.

Presently, TVEyes copies, stores, and indexes round-the-clock broadcasts from 1,400 channels, and this includes programming that exceeds traditional models for “hard news” monitoring, capturing entertainment programs like magazine-format shows and documentaries.  Moreover, TVEyes is a fairly elite, B2B service; and it seems to me that fair use exceptions in the name of the public’s right to information ought to be limited to those uses that actually serve the public. But you and I do not use TVEyes, and we never will because a subscription costs $500/month.  So, as a business, TVEyes is not even a consumer-focused service, but an industry-focused service used by professionals who need to be ahead of the proverbial curve when it comes to breaking and overlapping news stories.  Such professionals include news organizations like the Associated Press, major corporations, government agencies and NGOs, and of course high-level investors who are skilled in the dark arts of predicting how a traffic jam in Malaysia might affect their position in shoe laces or something.

Clearly, this $6,000/year service is not for the general citizenry that has a right to be informed. In fact, it’s interesting that one argument being made today on behalf of TVEyes — as it was twenty years ago for news monitoring in general — is that there is “so much information out there”, that these services are invaluable.  And they are invaluable for the types of clients that need and can afford them. Meanwhile, the public-serving aspect of the fair use argument here seems to overlook this free technology we all have called the search engine.  Yes, there is more information produced more rapidly by more sources than ever before; but the average citizen also has more free tools to search, index, and access that information than ever before.  Isn’t that what Google congratulates itself for doing at every opportunity?  And setting aside the chicken-and-egg quality of these phenomena, the bottom line is that you and I can search news items all day long on just about any subject we can imagine, which has nothing to do with the high-priced and  specialized service provided by TVEyes.  The logic being applied is akin to saying that because the public has a right to know what happens in the financial markets, Reuters should not have to honor licensing deals for any of the content it aggregates to its elite Reuters Insider service that it sells at a premium to investment professionals.

There is absolutely nothing wrong with TVEyes. It’s a sound business and clearly provides a service that many companies and institutions consider well worth the subscription fee.  But as a for-profit entity providing a high-level, B2B service for institutional clients, it should not be allowed to profit from the use of assets produced by Fox or any other entity without paying reasonable licensing fees.  More importantly, it is dismaying to see fair use doctrine distorted on the basis that the general public is in any way served in this case. It moves the needle of legal precedent closer to the Internet and tech industry goal of monetizing the totality of works without paying the individuals or entities who produce them.  This neither serves any beneficial social practice nor any larger ideological principle.  It’s just an old-fashioned land grab and a big middle finger to the evicted. Fair Use is not what we mean when we say “FU.”

Kim Dotcom on “60 Minutes.” Meh.

Getty Images.
Getty Images.

Last night, CBS news magazine 60 Minutes aired a segment featuring the flamboyant internet pirate Kim Dotcom (Kim Schmitz), whose Megaupload cyberlocker site was taken down in early 2012 after a dramatic raid on his luxury compound in New Zealand.  Charged with contributing to, inciting, and profiting from mass copyright infringement as well as related charges of racketeering and money laundering, Dotcom, a German, remains under mansion arrest in his adopted country hoping to avoid extradition to the United States, where he would stand trial.

If you only understood half of what I just said, (e.g. what’s a cyberlocker?), you’re not alone. Not only do I believe relatively few Americans have ever heard of Kim Dotcom or necessarily know what he did, it’s likely that an even smaller set of those who have heard of the man are at this moment particularly concerned about his fate — this despite Kim’s efforts to cast himself in the role of Robin Hood to the MPAA’s Sheriff of Nottingham.    Fortunately, this particular message isn’t really flying with just about anybody other than those one might call internet extremists, and I was pleased that CBS’s Bob Simon did not provide Dotcom a soapbox for his bogus ideological prattling.  That said, that’s about as much credit I can give to the segment, which was a bit of a puff piece, to be honest.

While Simon did push back at Dotcom for his claims to be “just a businessman,” he did let slide the oft-repeated argument Kim has made that it’s not his responsibility who uploads what to his site.  For one thing, Simon might have pointed to the fact that the charges against him include incitement to promote mass infringement by offering Megaupload users money and other forms of compensation specifically for uploading highly-popular filmed entertainment and music.  Even if this weren’t true, though, Dotcom is effectively asking people to believe he was siting there in New Zealand just minding his own business thinking (read with German accent), “I haff no idea ver zees millions of dollars are coming from! Please tell somebody ziss is not my fault!  I do not mean to be making all ziss money!”  Yeah, but really, that’s what he’s saying, and Bob Simon could have jabbed a little harder at the assertion that Dotcom didn’t know what he was doing.

Instead, the segment did include just enough time touring Kim Dotcom’s luxury compound that CBS can probably share the footage with MTV for a Cribs episode (is that still on?). I get why having Schmitz on the show might have attracted eyeballs, but overall the journalism felt mailed in, particularly in light of the fact that the 60 Minutes demographic probably skews toward an audience that doesn’t really know much about the issue of piracy or how it works. Simon didn’t do much in the way of providing context for the viewer or explain the nature of the charges against Dotcom.  Even the segment title “Hollywood’s Villain” is a bit glib and careless, considering the issue of internet piracy goes well beyond a feud between a couple of movie studios and one man.  In fact, one might have thought Dotcom suggested the title himself since his latest spiel is that Hollywood and the USDOJ  singled him out just because his lavish, super-villain-like persona make him such an “attractive target.”  Granted, as my friend said, “He’s like Auric Goldfinger without the class,” but I don’t think anyone sane believes for a moment that’s why he’s under indictment. Thus, even the few minutes in the segment devoted to examining this proposition, while entertaining, was a waste of time that could have been spent addressing some of the facts in the case.

There are interesting people in the world doing some extraordinary things with technology, some who even propose to address numerous challenges faced by millions just in their daily struggle to survive.  Against this backdrop, 60 Minutes has to work a little harder to make a guy seem interesting because he got rich by enabling already-privileged kids to watch Transformers: Dark of the Moon for free.

Local Journalism with Parry Teasdale (Podcast)

Running a Small Town Paper in the Digital Age

As 2012 was coming to a close, I decided to have a chat with our local Editor-in-Chief of The Columbia Paper, which serves a small, rural community in the Hudson Valley.  In addition to being the founder and editor of this paper, Teasdale was also part of a new media vanguard in the late 1960s and early 1970s, when portable video cameras were just becoming available to ordinary citizens.  I visited Parry at his newspaper office in Ghent, where we talked about journalism, video, and our relationship to information.

Visit The Columbia Paper.

Check out Parry Teasdale’s book, Videofreex.