Assange calls Schmidt/Cohen book a “blueprint for imperialism.”

Okay, it’s not often (see never), you’ll find me quoting Julian Assange other than with an inebriated smirk. Although erudite, I think of the man as kind of a digital-age Abbie Hoffman whose primary cause is to increase the relative importance of himself. And we haven’t heard much from Assange lately, holed up as he is in the Ecuadoran Embassy in London; but the Sunday New York Times offers this OpEd in which he excoriates the book The New Digital Age by Eric Schmidt and Jared Cohen.  Regardless of whether you believe, as I do, that Assange’s paranoia of states like the U.S. is overplayed for dramatic effect, it is very interesting that he describes Google as having “thrown in its lot with traditional, Washington power elements . . .” All credit to Twitter follower Leslie Burns, who observes, “It’s like spiders who eat their parent.”

From the article:

“The advance of information technology epitomized by Google heralds the death of privacy for most people and shifts the world toward authoritarianism.  This is the principal thesis in my book, “Cypherpunks.”  But while Mr. Schmidt and Mr. Cohen tell us  that the death of privacy will aid governments in “repressive autocracies’ in “targeting their citizens,” they also say governments in “open democracies” will see it as a “gift” enabling them to “better respond to citizen and customer concerns.” In reality, the erosion of individual privacy in the West and the attendant centralization of power make abuses inevitable, moving the “good” societies closer to the “bad” ones.

See also The web is not a panacea on this blog.

 

A Conversation with Dan Goodman of Believe Entertainment Group

IOM Webcast – A Conversation with Dan Goodman of Believe Entertainment Group from David Newhoff on Vimeo.

There’s no question that digital technologies have fostered tremendous opportunity for any content creator with a dream and the passion to pursue it; but these technologies have also created a dynamic, even volatile, market with forces both great and small competing for ad dollars, investors, and sustainable viewer attention. At the same time, we hear an awful lot about how content creators must adapt to new business models, which can be both true and false, depending on exactly what that means.  Certainly, we have new platforms for distribution and marketing and new ways for artists and creators to break out and build a fan base; but when it comes to building a professional career or an entertainment-based business in the digital age, are all the rules really so different, or do many of the fundamentals still apply even as we learn to use new tools?

To discuss some of these topics, I met with Dan Goodman, who co-founded Believe Entertainment Group in New York City with partner William H. Masterson III in 2010.  Believe Entertainment Group is essentially a traditional, financier/studio producer of original content for the digital-only market.  Their slate of shows includes the popular series The LeBrons, which has just launched season two on Xbox LIVE; and a brand new show called EpicEDM for fans of electronic dance music, which is the first studio-originated content series designed specifically for the Twitter platform.

I believe (pun intended) companies like Goodman’s represent the future of what we now call television.  As the worlds of TV and the Internet continue to converge, it will be the producers who build sustainable models based on professional, quality content who will be the studios we talk about in years to come.

To learn more about Believe Entertainment Group and their shows, visit their website here.

DanGoodman

Dan and I spoke in Believe Entertainment Group’s Manhattan office.