While it’s true that affordable digital cameras and editing software have put impressive means of production into the hands any boot-strapping filmmaker with a dream, digital filmmaking at the highest end of TV and motion pictures is actually more complex and more expensive than the days of celluloid-only production. As part of my focus on digital cinema, I interviewed cinematographer Steven Poster (ASC) via Skype in Los Angeles.
Steven has more than 50 credits as a Director of Photography. He has served as president of the American Society of Cinematographers (ASC) and is currently the National President of the International Cinematographer’s Guild (Local600/IATSE). Steven has also been on the forefront of technical and creative examination into the use of digital cinema technologies.
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